Publications evolve through the connections and collisions of words and images to reimagine and remake histories, myths and stories. The Arsonist’s Tale began with the burning of Chaucer’s The Canterbury Tales. Using fire as the ‘editor’ provided the materialfor a new narrative. In View from a hillside, the myth of Loch Ness is re-presented as a sublime romance across time, and in Chants de Chance, the surrealists’ ‘chance encounter of a sewing machine and an umbrella on an operating table’ gives the structure to an illustrated book of surreal poetry.
Please get in touch for more information or to purchace. Email: ︎
Instagram: @MatthewRichardsonArtist (Ceramics) @MatthewRubble (2D)
